Live
Attended remote sessions with direct creative conversation.
Remote color grading · Mexico City + Denver
Color, with you
in the room.
Live attended color sessions with senior colorists on Baselight and DaVinci Resolve Studio—for commercials, film, music videos and branded content anywhere in the United States.
Send us 3–5 shots. We’ll build a first look at no cost and show you how the remote session works.
Let’s get started
Send it over —
we’ll take it from here.
Whether it’s a free look test or a scheduled session, pick a package, fill in your details and drag in your files and EDLs below.
Drag your files & EDLs here
or click to browse
Prefer email? Send us a note instead.
No obligation. For professional productions with a locked or near-locked cut.The work is the proof
See what thirty years
of finishing looks like.
Lomas Post · Color grading reelBaselight + DaVinci Resolve Studio
A real session, without the flight
Distance disappears.
The conversation stays live.
Join the session in real time, speak directly with the colorist and make creative decisions together. For color-critical approvals, we establish a calibrated viewing workflow before the session begins.
Accurate
Color-managed workflows and Flanders Scientific reference monitoring.
Senior
Your project stays in the hands of an experienced dedicated colorist.
Your colorists
Two points of view.
One standard.
01
Senior colorist · 25 years shaping images
Daniel Iglesias
From telecine to today’s digital workflows, Daniel brings a precise, story-first eye to commercials, film and branded content in Baselight and DaVinci Resolve.
Full color reelDaniel Iglesias
Selected work · Before / After
02
Senior colorist · 20+ years in color
Jerónimo Guerrero
A colorist and graphic designer trained at UNAM, Jerónimo has graded award-winning film and campaigns for Coca-Cola, KFC and HBO in Baselight and DaVinci Resolve.
Full color reelJerónimo Guerrero
Selected work · Before / After
The rooms behind the work
Built for decisions you can trust.
Dedicated professional color environments, current software and reference-grade monitoring—supported by a team that understands the complete path from conform to final master.
01
FilmLight
Baselight Suite
Current Baselight system, dedicated control surface and Flanders Scientific reference monitoring for demanding commercial, film and episodic work.
02
Blackmagic Design
DaVinci Resolve Suite
Current DaVinci Resolve Studio on Mac with a dedicated grading panel and Flanders Scientific reference monitoring.
Remote workflow
Live attended review · SDR and HDR workflows · Managed media · Final delivery
Simple, transparent pricing
Pick a package.
Bring your project.
Session
2-Hour Remote Session
$450
USD
A focused live session for a spot, short film or a handful of scenes.
Reserve a sessionSession
Half Day · 4 Hours
$800
USD
Room to grade a full episode, longform piece or several deliverables.
Reserve a sessionSession
Full Day · 8 Hours
$1,500
USD
A full day for series, features or projects with conform and multiple versions.
Reserve a sessionCustom
Larger Projects
Let’s talk
Custom quote
Multi-day, HDR, heavy conform or ongoing series work.
Request a quoteSessions require a locked or near-locked cut. Half day and full day sessions require a 50% deposit to confirm the date; the 2-hour session is paid in full. We review your materials and proposed date before confirming — payment happens after, never before.
How it works
From your cut
to final color.
- 01
Pick a package
Choose a free look test or a paid session below — pricing is upfront, no surprises.
- 02
Send your files, right here
Fill out the form and drag your cut, stills and EDLs into the box on this page. No separate transfer link needed.
- 03
We confirm your date
We review your materials and proposed date, then confirm the session before anything is charged.
- 04
Grade together, then deliver
Book time with Daniel or Jerónimo, make decisions live, and get masters prepared for your intended screens.
Questions
Before you
send anything.
What counts as a “free look test”?
Send 3–5 representative shots from your project. A senior colorist builds a first look at no cost, so you can see our approach before committing to a paid session.
How does booking a paid session work?
Pick a package, fill out the form below with your proposed date, and drag in your files. We review your materials and availability, confirm a time with you, and only then send a payment link — we never charge before confirming scope and schedule.
Do I need to pay anything up front?
No. The free look test has no cost. For paid sessions, the 2-hour session is paid in full once confirmed; half day and full day sessions require a 50% deposit to hold the date, with the balance due at delivery.
What if my project needs more than one day?
Larger, multi-day, HDR or conform-heavy projects get a custom quote — tell us about it in the form below and we’ll follow up with a scope and price.
What should I send for the session?
An offline cut, reference stills, LUTs if you have them, and any EDLs — just drag the whole folder into the box below. No large media transfer is needed until we’ve confirmed the session.
Do I need special software to join a live session?
No — sessions are attended remotely with the colorist sharing a calibrated feed. We’ll send simple joining instructions once your session is confirmed.